Artist News
- Matthias Mansen at Schloss Gottorf----------
- Hann Trier & Norbert Kricke----------
- Alice Neel in NUDES----------
- Ernst Wilhelm Nay in Mythos und Massaker----------
- Norbert Kricke at Franz Marc Museum, Kochel----------
- Alice Neel in Dix und die Gegenwart----------
- Alice Neel at Munchmuseet, Oslo----------
- Alice Neel at OCMA, CA----------
- Alice Neel at Barbican Centre, London----------
- Alice Neel at Centre Pompidou, Paris----------
- Neil Gall at British Museum----------
- Norbert Kricke at Lehmbruck Museum, Duisburg----------
- Alice Neel at Musée de l'Elysée, Lausanne----------
- Norbert Kricke in Eisen- und Stahlplastik----------
- Ernst Wilhelm Nay - Retrospektive----------
- Vivian Greven at Museum Langmatt, CH----------
- Alice Neel at MET, New York----------
- Stefan Löffelhardt in "Nachts"----------
- Vivian Greven @ ak-raum----------
- Nils Dunkel in Berlin Masters 2019----------
- Nils Dunkel @ Salon Dahlmann----------
- Alice Neel @ Museum of Modern Art Warsaw----------
- Norbert Kricke @ ZKM Karstruhe----------
- Stefan Löffelhardt @ Kunsthaus Essen----------
- Norbert Kricke @ Triennale Fellbach----------
- Öyvind Fahlström @ Kunstverein Hamburg----------
- Michael Wutz @ Kupferstichkabinett, Berlin----------
- Vivian Greven @ Lyles & King, New York----------
- Vivian Greven @ Kadel Willborn, Düsseldorf----------
- Greven @ Golsa Gallery, Oslo----------
- Alice Neel @ David Zwirner, New York----------
- Alice Neel @ Centre Pompidou Metz----------
- Vivian Greven @ Galerie Thomas Fuchs----------
- Vivian Greven in 'Ladies Only'----------
- David Schutter in 'Kleine Welt'----------
- David Schutter in 'Trance' by Albert Oehlen----------
- Wolfgang Betke in 'Notebook'----------
- Michael Wutz in 'Auf dem Weg zum Motiv'----------
- David Schutter in 'Content is a Glimpse'----------
- Öyvind Fahlström @ Met Breuer, New York----------
- Ernst Wilhelm Nay at Staatsgalerie Stuttgart----------
- Alice Neel at Kunsthalle Mannheim----------
- Norbert Kricke at Museum Palais Populaire----------
- Vivian Greven at Sammlung Philara----------
- Vivian Greven at Practise----------
- David Schutter in The Wall Street Journal----------
- Norbert Kricke at LH2 Contemporary----------
- Vivian Greven at Kunstmuseum Stuttgart----------
- Ernst Wilhelm Nay Symposium----------
- Vivian Greven at Lyles & King, New York----------
- Carolin Eidner at Orangerie Schloss Benrath----------
- Öyvind Fahlström at Ludwig Forum Aachen----------
- Neil Gall at Henry Moore Institute, Leeds----------
- Tom Chamberlain at Kunstverein Wolfsburg----------
- Neil Gall at z20 Sara Zanin Gallery----------
- Alice Neel at Deichtorhallen, Hamburg----------
- Jonathan Bragdon at Kunsttempel, Kassel----------
- Öyvind Fahlström at Pérez Art Museum, Miami----------
- Michael Wutz at Kunstmuseum Stuttgart----------
- Alice Neel at Tate Modern, London----------
- David Schutter at DOCUMENTA 14 Kassel----------
- Tom Chamberlain at Thinking Tantra, Plymouth----------
- Norbert Kricke at Galerie Parterre, Berlin----------
- Ernst William Nay at Ketterer Kunst, Berlin----------
- Alice Neel at David Zwirner, New York----------
- Michael Wutz at unttld contemporary, Vienna----------
- Studio Visit: Stefan Löffelhardt, Düsseldorf----------
- David Schutter at The Goma, Madrid----------
- Öyvind Fahlström at La Terrasse, Nanterre----------
- Tom Chamberlain at Drawing Room, London----------
- Alice Neel at S.M.A.K., Gent----------
- E.W. Nay at Haus der Kunst, Munich----------
- Jonathan Bragdon at Kunstmuseum Appenzell----------
- Jonathan Bragdon at Kunstmuseum Thun----------
- Alice Neel at Talbot Rice Gallery, Edinburgh----------
- E.W. Nay at Angermuseum Erfurt----------
- Alessandro Twombly at Galerie Knoell, Basel----------
- Alice Neel at Ateneum Art Museum, Helsinki----------
- David Schutter at Magazzino, Rome----------
- Alice Neel at Whitney Museum, New York----------
- Alice Neel at The Met Breuer, New York----------
- E.W. Nay at Centre Pompidou, Paris----------
- Öyvind Fahlström at MoMA, New York----------
- Öyvind Fahlström at Kunsthalle Baden-Baden----------
- Michael Wutz at Kunstverein Gütersloh----------
- Michael Wutz at Galerie Friese, Berlin----------
- Wolfgang Betke at Kienzle Art Foundation----------
- Jonathan Bragdon at Kunstmuseen Krefeld----------
- Jack Pierson at Schirn Kunsthalle Frankfurt----------
- David Schutter at Fondazione Memmo, Rome----------
- E.W. Nay at Almine Rech Gallery, London----------
- David Schutter at P420, Bologna----------
- Michel Auder at the Martos Gallery----------
- Michael Wutz at Bauart Galeri, Istanbul----------
- Neil Gall at DOMOBAAL----------
- Jonathan Bragdon at kunsTTempel Kassel----------
- Jonathan Bragdon at GALERIE KLÜSER, Munich----------
- Neil Gall at Simmons & Simmons, London----------
- Stefan Löffelhardt at kunstgalerie, Bonn----------
- Thomas Rentmeister at Gallery Bačva, Zagreb----------
- Thomas Rentmeister, Installation in Cologne----------
- Öyvind Fahlström at MNCARS, Madrid----------
- Gavin Turk at Manchester Art Gallery----------
- Erich Reusch at Art Academy Düsseldorf----------
- Erich Reusch at Museum Ettlingen----------
- Michel Auder at the Whitney Biennial----------
- David Schutter at Rhona Hoffman Gallery----------
- Michael Wutz at Städtische Galerie Wolfsburg----------
- Michael Wutz at blank_space gallery, Sidney----------
- Michael Wutz at Galerie Kornfeld----------
- Jack Pierson at Galerie Rudolfinum, Prague----------
- Wolfgang Betke at Ballhaus Ost, Berlin----------
- Wolfgang Betke at Nicole Gnesa, Munich----------
- Michael Auder in the Whitney Biennial 2014----------
- Jonathan Bragdon at the Kunsttempel Kassel----------
- Tom Chamberlain at La Maison Rouge, Paris----------
- Erich Reusch at Kunstverein Ruhr----------
- Öyvind Fahlström at MACBA, Barcelona----------
- Michael Auder at Portikus, Frankfurt/Main----------
- Öyvind Fahlström at Raven Row, London----------
- Wolfgang Betke at Nicole Gnesa, Munich----------
- Michael Wutz at Haus am Lützowplatz, Berlin----------
- “Anleitung zum direkteren Staunen” – 5.09.13----------
- Thomas Rentmeister at Stadtmuseum, Borken----------
- Neil Gall at The Torrance Art Museum, USA----------
- E.W. NAY in BONN and NEW YORK----------
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- Behind Pop - Kito Nedo about Ray Johnson----------
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Norbert Kricke @ Triennale Fellbach
FELLBACH TRIENNIAL OF SMALL-SCALE SCULPTURE
01.06.–29.09.2019
The Triennial was born in Fellbach in 1980 as a forum of contemporary small-scale sculpture.
40,000 - A Museum of Curiosity.
Curator: Dr Brigitte Franzen
The 14th Triennial will be opened on Saturday, 1 June 2019, in the Alte Kelter in Fellbach, and will run until 29 September 2019.
The 14th Small Sculpture Triennial will be curated by Dr Brigitte Franzen (*1966). An expert in art and cultural studies, Brigitte Franzen is currently chair of the Peter and Irene Ludwig Foundation. Between 2009 and 2015 she was director of the Ludwig Forum for International Art in Aachen. From 2005 to 2008 she worked as a curator for contemporary art at the Westphalian State Museum and curated the Sculpture Projects Münster in 2007. She has authored and edited numerous publications on contemporary art and has taught extensively, including at the Academy of Fine Arts in Munich and the University of Cologne. She describes her approach as “research−based curating”.
For the Triennial Franzen has drawn inspiration from the spectacular findings of the prehistoric figurines in the caves of the nearby Swabian Jura, which, dating back some 40,000 years, include the lion-man and the Venus of Hohle Fels, pieces that have generated enormous international interest. From this local background she argues the case for taking a perspective on contemporary art that is at once many−voiced, model-based and anthropological. Historical objects, in part as high−quality replicas, will thus be integrated into the exhibition.
40,000. A Museum of Curiosity is the title of the 14th Small Sculpture Triennial. The small sculptural format is particularly suitable for demonstrating key aspects of the drive behind artistic expression such as mimesis, world interpretation, experimentation and innovation. Smallness is a unique dimension. In terms of sculpture, the small implies transportability, the handmade, or at the very least an appropriately scaled dimension and model quality.
Religious objects, talismans, totems, fetishes, toys, horcruxes or attributes − throughout history small sculptures have had a physical closeness to humans or been in the immediately surrounds. Inherent to the small sculpture, these possibilities are still relevant for art production today. This gives rise to an unusual intimacy, or indeed an affinity, between the object and owner or viewer, which in turn impacts on the meaning assigned to the piece. The archetypical or prototypical resides in this scalability. It demands greater attention to the details and closer inspection.
More than 50 international artists are taking part in the 14th Triennial and their works will illustrate the explorative impulse in sculptural practice, one that is oriented on gaining knowledge and insight. Artists are experts for an anthropological inquisitiveness, for creating a work through the interplay of memory and hand. This aspect will be examined in detail and is especially relevant today given current developments in the areas of automatization and digitalization.
To tell a heterogeneous, mutually−inspiring history between art objects and cult and everyday objects is the basis of the exhibition concept. Despite the uniformity of our current globalised world, there exist cultural and aesthetic differences across a broad spectrum of cultures. Taking a look back at the art production of earlier times shows how curiosity and the sheer necessity to interpret the surrounding world or − since the rise of modernity − to respond to it with (counter−) models, has been an anthropological constant of artistic work. Art then arises when nature is being investigated, weighed up, both the surrounding nature of our environment and the nature of the human body, be it in the form of transgressing the boundaries set by nature or the attempt to find reconciliation with nature. This is reflected in the exhibition design by the renowned landscape architects from the atelier le balto, which employs garden−like structures.
As a Museum of Curiosity, the imposing venue of the Alter Kelter in Fellbach will enable visitors to take part in a special art experience and, at the same time, embed the Triennial in the broader context of the Remstal Garden Show, to be held concurrently in 16 municipalities along the Rems River.
A diverse supporting programme, including around 250 guided tours for adults, children and school groups, as well as workshops, lectures, readings, panel discussions, concerts and participative events, will further enhance the exhibition experience.