Artist News
- Matthias Mansen at Schloss Gottorf----------
- Hann Trier & Norbert Kricke----------
- Alice Neel in NUDES----------
- Ernst Wilhelm Nay in Mythos und Massaker----------
- Norbert Kricke at Franz Marc Museum, Kochel----------
- Alice Neel in Dix und die Gegenwart----------
- Alice Neel at Munchmuseet, Oslo----------
- Alice Neel at OCMA, CA----------
- Alice Neel at Barbican Centre, London----------
- Alice Neel at Centre Pompidou, Paris----------
- Neil Gall at British Museum----------
- Norbert Kricke at Lehmbruck Museum, Duisburg----------
- Alice Neel at Musée de l'Elysée, Lausanne----------
- Norbert Kricke in Eisen- und Stahlplastik----------
- Ernst Wilhelm Nay - Retrospektive----------
- Vivian Greven at Museum Langmatt, CH----------
- Alice Neel at MET, New York----------
- Stefan Löffelhardt in "Nachts"----------
- Vivian Greven @ ak-raum----------
- Nils Dunkel in Berlin Masters 2019----------
- Nils Dunkel @ Salon Dahlmann----------
- Alice Neel @ Museum of Modern Art Warsaw----------
- Norbert Kricke @ ZKM Karstruhe----------
- Stefan Löffelhardt @ Kunsthaus Essen----------
- Norbert Kricke @ Triennale Fellbach----------
- Öyvind Fahlström @ Kunstverein Hamburg----------
- Michael Wutz @ Kupferstichkabinett, Berlin----------
- Vivian Greven @ Lyles & King, New York----------
- Vivian Greven @ Kadel Willborn, Düsseldorf----------
- Greven @ Golsa Gallery, Oslo----------
- Alice Neel @ David Zwirner, New York----------
- Alice Neel @ Centre Pompidou Metz----------
- Vivian Greven @ Galerie Thomas Fuchs----------
- Vivian Greven in 'Ladies Only'----------
- David Schutter in 'Kleine Welt'----------
- David Schutter in 'Trance' by Albert Oehlen----------
- Wolfgang Betke in 'Notebook'----------
- Michael Wutz in 'Auf dem Weg zum Motiv'----------
- David Schutter in 'Content is a Glimpse'----------
- Öyvind Fahlström @ Met Breuer, New York----------
- Ernst Wilhelm Nay at Staatsgalerie Stuttgart----------
- Alice Neel at Kunsthalle Mannheim----------
- Norbert Kricke at Museum Palais Populaire----------
- Vivian Greven at Sammlung Philara----------
- Vivian Greven at Practise----------
- David Schutter in The Wall Street Journal----------
- Norbert Kricke at LH2 Contemporary----------
- Vivian Greven at Kunstmuseum Stuttgart----------
- Ernst Wilhelm Nay Symposium----------
- Vivian Greven at Lyles & King, New York----------
- Carolin Eidner at Orangerie Schloss Benrath----------
- Öyvind Fahlström at Ludwig Forum Aachen----------
- Neil Gall at Henry Moore Institute, Leeds----------
- Tom Chamberlain at Kunstverein Wolfsburg----------
- Neil Gall at z20 Sara Zanin Gallery----------
- Alice Neel at Deichtorhallen, Hamburg----------
- Jonathan Bragdon at Kunsttempel, Kassel----------
- Öyvind Fahlström at Pérez Art Museum, Miami----------
- Michael Wutz at Kunstmuseum Stuttgart----------
- Alice Neel at Tate Modern, London----------
- David Schutter at DOCUMENTA 14 Kassel----------
- Tom Chamberlain at Thinking Tantra, Plymouth----------
- Norbert Kricke at Galerie Parterre, Berlin----------
- Ernst William Nay at Ketterer Kunst, Berlin----------
- Alice Neel at David Zwirner, New York----------
- Michael Wutz at unttld contemporary, Vienna----------
- Studio Visit: Stefan Löffelhardt, Düsseldorf----------
- David Schutter at The Goma, Madrid----------
- Öyvind Fahlström at La Terrasse, Nanterre----------
- Tom Chamberlain at Drawing Room, London----------
- Alice Neel at S.M.A.K., Gent----------
- E.W. Nay at Haus der Kunst, Munich----------
- Jonathan Bragdon at Kunstmuseum Appenzell----------
- Jonathan Bragdon at Kunstmuseum Thun----------
- Alice Neel at Talbot Rice Gallery, Edinburgh----------
- E.W. Nay at Angermuseum Erfurt----------
- Alessandro Twombly at Galerie Knoell, Basel----------
- Alice Neel at Ateneum Art Museum, Helsinki----------
- David Schutter at Magazzino, Rome----------
- Alice Neel at Whitney Museum, New York----------
- Alice Neel at The Met Breuer, New York----------
- E.W. Nay at Centre Pompidou, Paris----------
- Öyvind Fahlström at MoMA, New York----------
- Öyvind Fahlström at Kunsthalle Baden-Baden----------
- Michael Wutz at Kunstverein Gütersloh----------
- Michael Wutz at Galerie Friese, Berlin----------
- Wolfgang Betke at Kienzle Art Foundation----------
- Jonathan Bragdon at Kunstmuseen Krefeld----------
- Jack Pierson at Schirn Kunsthalle Frankfurt----------
- David Schutter at Fondazione Memmo, Rome----------
- E.W. Nay at Almine Rech Gallery, London----------
- David Schutter at P420, Bologna----------
- Michel Auder at the Martos Gallery----------
- Michael Wutz at Bauart Galeri, Istanbul----------
- Neil Gall at DOMOBAAL----------
- Jonathan Bragdon at kunsTTempel Kassel----------
- Jonathan Bragdon at GALERIE KLÜSER, Munich----------
- Neil Gall at Simmons & Simmons, London----------
- Stefan Löffelhardt at kunstgalerie, Bonn----------
- Thomas Rentmeister at Gallery Bačva, Zagreb----------
- Thomas Rentmeister, Installation in Cologne----------
- Öyvind Fahlström at MNCARS, Madrid----------
- Gavin Turk at Manchester Art Gallery----------
- Erich Reusch at Art Academy Düsseldorf----------
- Erich Reusch at Museum Ettlingen----------
- Michel Auder at the Whitney Biennial----------
- David Schutter at Rhona Hoffman Gallery----------
- Michael Wutz at Städtische Galerie Wolfsburg----------
- Michael Wutz at blank_space gallery, Sidney----------
- Michael Wutz at Galerie Kornfeld----------
- Jack Pierson at Galerie Rudolfinum, Prague----------
- Wolfgang Betke at Ballhaus Ost, Berlin----------
- Wolfgang Betke at Nicole Gnesa, Munich----------
- Michael Auder in the Whitney Biennial 2014----------
- Jonathan Bragdon at the Kunsttempel Kassel----------
- Tom Chamberlain at La Maison Rouge, Paris----------
- Erich Reusch at Kunstverein Ruhr----------
- Öyvind Fahlström at MACBA, Barcelona----------
- Michael Auder at Portikus, Frankfurt/Main----------
- Öyvind Fahlström at Raven Row, London----------
- Wolfgang Betke at Nicole Gnesa, Munich----------
- Michael Wutz at Haus am Lützowplatz, Berlin----------
- “Anleitung zum direkteren Staunen” – 5.09.13----------
- Thomas Rentmeister at Stadtmuseum, Borken----------
- Neil Gall at The Torrance Art Museum, USA----------
- E.W. NAY in BONN and NEW YORK----------
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- Behind Pop - Kito Nedo about Ray Johnson----------
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David Schutter at Magazzino, Rome
Pergamena
Magazzino
Opening 24 May 2016
Exhibition 24 May – 27 July 2016
Magazzino is pleased to announce the opening of Pergamena, an exhibition of drawings by the American artist, David Schutter. This is the artist’s first exhibition with the gallery, an occasion that coincides with his first museum show in Italy at the Istituto Centrale per la Grafica in Palazzo Poli.
Pergamena is the Latin word for parchment, a material made from processing animal skins and used in the ancient and medieval worlds as a writing surface. The preparation involves soaking, liming, scraping, and stretching the skins to achieve a uniformity of smooth texture, thinness, and great durability. Used in the manufacture of scrolls and later manuscript production, pergamena succeeded the use of papyrus, and until the popularization of paper and the printing press, was the primary writing surface for scribes. Though pergamena was widespread, the laborious and expensive techniques of its production reserved it for use in texts of legal, educational, or ritual import. In the 7th to 9th Centuries, a great number of manuscripts on pergamena were scrubbed for re-use, creating generations of palimpsests, texts that show the writing, partial erasure, and overlapping of disparate texts. The Greek origin of palimpsest means literally, to be “scratched again”.
David Schutter’s drawings in Pergamena are part of his daily drawing practice in which he uses the sheet of pergamena as a slate for thinking through drawing. The daily habit of drawing and erasing on the pergamena makes for a quasi-legible surface, each sheet inscribed with broken utterances of visual form and elegant renditions of historical technique. The pergamena sheet is an arena for a repeated and varied repertory performance of gestures. Regular phases in the lives of these drawings are their partial or total erasure, and their inevitable re- inscription by being “scratched again” with the lead of a pencil.
Schutter’s drawings are not composed, but more arrived at and accumulated. In this way, they borrow their page organization from the classic study sheets of the Baroque era, a period that Schutter has been probing in the archive of the Istituto Centrale per la Grafica in Rome. Study sheets often situate vignettes or fragmented studies in axially different directions across the page. Varied subjects, such as figural fragments, drapery, and architectural relief appear on a typical single Baroque study sheet for the sake of economy and for the rehearsal of an image. Though there are not concretely recognizable forms in David Schutter’s pergamena study sheets, the historical drawing forms of the Baroque do appear and recede in a scrambled presence. This phenomena is related to the time Schutter has spent looking at Baroque drawings in the Istituto over the course of the past year, when he studied the repeated forms of Baroque motif and technique, and the differences in signature styles across Baroque artists. While his drawing materials cross the ancient to modern worlds, there is nothing in David Schutter’s drawings thatsituate them in reverence of the past. Rather these drawings, which destabilize and disfigure historical form, look uncannily toward an indeterminate future.
The artist’s exhibition at the Istituto Centrale per la Grafica in Palazzo Poli, entitled Spolia, opens May 31st, 2016.
David Schutter (USA b. 1974, lives and works in Chicago) has had solo exhibitions at the Gemäldegalerie Berlin; the Scottish National Gallery of Modern Art, Edinburgh; Instituto Centrale per la Grafica in Palazzo Poli, Rome; the Museum of Contemporary Art, Chicago; with Aurel Scheibler, Berlin; Sikkema Jenkins & Co., New York; and Rhona Hoffman Gallery, Chicago. His work has been featured in the Glasgow International Biennale; La Magazin- Centre National Art d’ Contemporain, Grenoble; the David Roberts Art Foundation, London; and the Fondazione Memmo, Rome. David Schutter is the recipient of a 2015-16 Rome Prize awarded by the American Academy in Rome, where he is currently in residence.
Magazzino
via dei Prefetti 17
Rome
Italy
info@magazzinoartemoderna.com
http://magazzinoartemoderna.com